Press - Fighting
The Margins
Molotov Theatre Group, 2015
Molotov Theatre Group, 2015
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"Two of the best aspects of the play are the violence and fight choreography. These elements are highly dynamic, beautifully choreographed, and rightly overwhelming. The gore is seamless and realistic, and Carl Brandt Long's full use of such a small space filled with six actors and the audience's toes is impressive as it clearly captures the chaos." - Emma Kauguell, Broadway World |
You Can't Get a Decent Margarita at the North Pole
Grain of Sand Theatre, 2012

Ryan Sellers and Carl Brandt Long.
Photo by Greg Velichansky
Photo by Greg Velichansky
"Carl Brandt Long proves he’s multi-talented. In addition to playing Santa himself, he contributes solid fight choreography to this piece, which is integral to the success of the final scenes."
- Jennifer Perry, DC Metro Theatre Arts
- Jennifer Perry, DC Metro Theatre Arts
Raising Cane: A Family Portrait
Grain of Sand Theatre, 2012 Capital Fringe Festival

John Stange and Sara Bickler. Photo by Greg Velichansky
". . . Most notable are the
play’s cringe-worthy fight sequences choreographed by Fight Director, Carl
Brandt Long (also cast as Billy). Consuming over half of the play’s total
running time, the brawls alone are worth the cost of a ticket."
- Victoria Durham, DC Theatre Scene
". . . As a fight play it’s an unqualified success. There’s more fighting than dialogue on the Redrum stage. The fight choreography is disgustingly graphic and exciting. If you came for violence, you’ll love this show."
- Catherine Aselford, Washington City Paper
- Victoria Durham, DC Theatre Scene
". . . As a fight play it’s an unqualified success. There’s more fighting than dialogue on the Redrum stage. The fight choreography is disgustingly graphic and exciting. If you came for violence, you’ll love this show."
- Catherine Aselford, Washington City Paper